张跃华,当代著名书画艺术家。号:华翁(曾号:梦春堂主人、梦春堂老翁、梦翁)。国际和平艺术家、全国书画艺术委员会顾问、人民日报袭古创今书画院名誉院长、中央机关紫光阁画院院士、文旅部中青城投(北京)书画集团院院长、中国慈善书画院院士、北京胡润国际艺术品鉴定中心副主席。国家高级美术师、清华大学美术学院客座教授、中国国家国宾礼艺术家、《中国美术通史》艺术顾问。
Zhang Yuehua is a famous contemporary calligraphy and painting artist. Title: Hua Weng (formerly known as Master of Dream Spring Hall, Old Man of Dream Spring Hall, Dream Weng). International Peace Artist, Advisor to the National Committee of Calligraphy and Painting Arts, Honorary Dean of the People's Daily Inheritance and Creation of Modern Calligraphy and Painting Academy, Academician of the Central Organ Ziguangge Painting Academy, Dean of the Zhongqing Chengtou (Beijing) Calligraphy and Painting Group Academy of the National Ministry of Culture and Tourism, Academician of the China Charity Calligraphy and Painting Academy, and Vice Chairman of the Beijing Hurun International Art Appraisal Center. National Senior Artist, Visiting Professor of the School of Fine Arts at Tsinghua University, Chinese National Guest Ceremony Artist, and Art Advisor of the "General History of Chinese Art".
1960年生于山西,先后毕业于山西文学院美术系中国画专业及中央美术学院中国画系。受教于黄胄、吴冠中、黄润华、卢沉、朱乃正等几十位名家大师。师古不泥古,其艺术造诣之深。以其独具的艺术慧眼和胆略将中国书画的色彩和意境推向了一个崭新的境界,创造了色彩艳丽、金碧辉煌、气势磅礴、艳而不俗、娇而不媚、具皇家气派和浪漫主义色彩的画风。在中国书画的色彩应用和精神意境上创造了卓越优秀的中国华翁艺术新典范。在15年10月华翁.张跃华艺术研讨会上北大、清华、央美、中国艺术研究院、中国美术馆等中国美术界的专家学者一致认为:张跃华是自明清以来把中国画颜色用的最为鲜活、鲜亮、鲜艳的画家。张跃华的画是一种意象艺术、梦中画境。是艺术品的一种最高境界。华翁将人类的伟大思想和灵魂高度体现其书画艺术作品的形式气象之中,是我们这时代艺术家、艺术品中最难得的伟大创举。华翁艺术对中国未来的艺术发展必将产生巨大的推动力。他的艺术博得了社会各界的喜爱和追捧。其画作被法国前总统萨科奇及国内外的多位名家、名流、巨贾收藏,被誉为“市场上的明星,学术上的黑马”。2016年被评为当代最具学术价值与市场潜力的画家。荣获“中国改革开放40周年中国文化艺术贡献奖”。
Born in Shanxi in 1960, he graduated from the Chinese Painting major of the Fine Arts Department of Shanxi University of Literature and the Chinese Painting Department of the Central Academy of Fine Arts. I have been educated by dozens of famous masters such as Huang Zhou, Wu Guanzhong, Huang Runhua, Lu Chen, and Zhu Naizheng. Learning from the past is not like being stuck in the past, and one's artistic attainments are profound. With its unique artistic insight and courage, it has pushed the color and artistic conception of Chinese calligraphy and painting to a new level, creating a painting style that is colorful, magnificent, magnificent, charming but not vulgar, charming but not charming, with royal and romantic colors. We have created an outstanding new model of Chinese Huaweng art in terms of color application and spiritual conception in Chinese calligraphy and painting. At the Huaweng Zhang Yuehua Art Seminar in October 2015, experts and scholars in the Chinese art field, such as Peking University, Tsinghua University, Central America, the Chinese National Academy of Arts, and the National Art Museum of China, agreed that Zhang Yuehua is the most vivid, bright and colorful painter who has used the colors of Chinese paintings since the Ming and Qing dynasties. Zhang Yuehua's paintings are a form of imagery art and dreamlike imagery. It is the highest state of art. Hua Weng highly embodies the great ideas and soul of humanity in the form and atmosphere of his calligraphy and painting works, which is the most rare great creation among artists and artworks of our time. Huaweng Art will undoubtedly have a huge driving force for the future development of Chinese art. His art has won the love and pursuit of various sectors of society. His paintings have been collected by former French President Nicolas Sarkozy and many famous figures, celebrities, and tycoons both domestically and internationally, earning him the title of "star in the market and dark horse in academia". In 2016, he was rated as the most academically valuable and marketable contemporary painter. Received the "Chinese Culture and Art Contribution Award for the 40th Anniversary of China's Reform and Opening up".
张跃华擅山水画、荷花、书法。提出并践行“笔墨当超时代”和“绘画艺术品引领社会人类文明进步”的绘画新理念。原中国收藏家协会会长闫振堂先生07年就撰文“绘画新颖超俗艺术独特醉人”对其高度评价。
Zhang Yuehua is skilled in landscape painting, lotus, and calligraphy. Propose and practice the new painting concept of "surpassing the times with pen and ink" and "painting art leads the progress of human civilization in society". Mr. Yan Zhentang, former president of the China Collectors Association, highly praised him in his 2007 article titled "Novel, Extraordinary, Unique, and Intoxicating Painting".
张跃华在当代国画家价格指数排名最高至第二位。近几年在当代国画家价格指数排名20上下,曾先后排在38、27、25、24、23、20、18、15、13、10、5、4、4、2、3、5、6、2、5、4、3位。被列为当代价格指数排名前十位的画家和增值最快的前十名画家及当代最具收藏价值和学术价值的画家。
Zhang Yuehua ranks highest to second in the price index of contemporary Chinese painters. In recent years, the price index of contemporary Chinese painters has ranked around 20, ranking 38th, 27th, 25th, 24th, 23rd, 20th, 18th, 15th, 13th, 10th, 5th, 4th, 4th, 2nd, 3rd, 5th, 6th, 2nd, 5th, 4th, and 3rd. Listed as the top ten painters in the contemporary price index, the top ten painters with the fastest appreciation, and the painters with the most collectible and academic value in contemporary times.
激荡和谐的韵律 美轮美奂的色彩
张跃华是一位妙手丹青的画家,是一位带有神秘色彩的艺术家,也是一位淡泊内定、追求卓远的色彩探险家。
也许受成长环境的影响,也许血脉之中天生流淌着艺术的基因,亦或许兼而有之,张跃华自幼就喜欢传统文化,喜欢绘画。
书法、绘画、文学交相辉映,丰富的人生经历伴随着执着的艺术追求而升华,梦幻的色彩交融着激越的笔触而引人入胜,张跃华也收获了别样风采的人生魅力。
张跃华希望做一个内蕴充溢,精神富足的艺术家,他阅天下佳作,揽历史名篇,观宇宙奥秘,看沧海变幻。张跃华喜欢读老庄、孔孟,也喜欢读稽考传记、参悟哲学,因为,那里是他涤尽尘俗,排除杂念的情感家园,那里是他精神往来于天地之间的栖息地,那里是他积大道于心源的道场。张跃华注重“天人合一”的哲学思想,讲究“澄怀味象、含道映物”的审美精神,也强调“望秋云,神飞扬;临春风,思浩荡”的艺术境界。
张跃华认为画画如同将军领兵打仗,皴、擦、点、染,一笔一墨都是生命与精神的交融,造型、色彩、光影,一山一水都是豪情与壮志的碰撞,色彩里有韬略、有谋划,笔调中有战略、有部署,那是众多元素统合一体,融成精妙的战场,那是运筹帷幄、决胜千里的心胸,那是得乎寰中而出于象外的气象。
任何引起瞩目的艺术绝非一朝之功,而是数十年积学养气的结果,张跃华也不例外,梦幻一样的色彩,笼天地于形内,挫万物于笔端,凝聚着学养、涵养、修养,充盈着的精神之光、浑厚之美、静雅之气。
笔为心迹,画为心声,色彩孕育着和谐的节奏,丹青描绘着优美的旋律,独具一品的风格是艺术要素和技术要素的互通,也是艺术观念和艺术形式的结晶。
艺术创作的本质就是用绘画技术来表达美感,而美感则发端于心灵。张跃华通过对色彩的独特才情和高超的表现,让色彩释放出无穷无尽的美感。每每面对五颜六色的色彩,心意不断更新变幻,技巧也随之不停地磨练,当他不知疲倦地推进自己的创作之时,色彩艺术也在不自觉之中塑造着他自己。
充实之谓美,充实而有光辉之谓大,张跃华梦幻一样的色彩世界之所以引起关注,是厚积薄发的结晶,也是内蕴充实的显现。
艺术需要契合,更需要引导,正基于此,艺术家的使命决定着艺术家成为大众与艺术审美之间的桥梁,那么,一位平庸的画家可以让观者情绪低落,内心阴暗,百事坎坷;一个高雅的画家则可以让大众逃离黑暗,朝向光明,心灵升腾。
张跃华的色彩在于品质,艺术在于风神,大美在于内涵,真诚与纯洁、典雅与深刻、和平与庄重,交相辉映,熠熠生辉,散发着正能量,叩击着大众的内心情感,激发出观者潜意识的审美本能,雅的臻妙,美的入心。
经济发现迅速,大众的生活方式也在快节奏之中,发生了巨大的变化,当物质生活得到满足之后,精神生活便成为重要的主题。大众需要居家装饰、也需要精神寄托,更需要寻找安顿灵魂之所,然而,当代画家如果一味地徘徊于传统,一味地粗制滥造,那么,很难启人心智、温润人心,更难传得开、留得下。而张跃华则显得独具一品,几十年以来,张跃华立时代之潮头,拟时代之神韵,通过对色彩的理解,对艺术真谛的理解、对人生价值的理解,在传统与现代之间寻找艺术的平衡,在西方与东方艺术之间捕捉艺术的胎息,聚古今之变而变,因时代之变而变,充分发挥色彩的张力,创作出有格调、有气韵、有风神的艺术形式,充盈着视觉力量,彰显着信仰之美、彰显着崇高之美。
但凡触及观者灵魂,引起共鸣的作品,无不温润着他人,而又关照着自己的内心。张跃华以色彩的微妙变化,在细腻的、静谧的色调之中,营造出或浪漫、或温馨、或雅致、或浑厚的格调,充溢着浓郁的现代人文情怀,充盈着东方色彩艺术的神韵,确立了梦幻的抒情咏叹,让人神往。
张跃华通过色彩斑澜的意境,走进了自然、走进了精神世界,也走进了情感自由的天地。如果说梦幻般的山水是张跃华表达情感的媒介,那么,色彩则是他通过细腻的、柔和的、浑厚的、苍茫的、和谐的笔触去表现浪漫的情调,表现典雅的神韵,表现抒情的意蕴。
从张跃华的梦幻般的色调之中,可以看到他那高超的艺术表现力,也可以感受到他那丰富的想象力。张跃华借助色彩的变化,让超迈的才情熔铸于千变万化的色彩之中,去表达对自然、对生活、对内心性灵的所思、所想、所悟,去倾诉澎湃的情感,去渲染一幅又一幅美轮美奂的色彩世界。
在张跃华的色彩世界里,孕育着潜意识的审美内涵,洋溢着神游遐想的意境,充盈着往来于天地之间的自由精神。
自由才能带动技法的自由,张跃华从梦幻色彩向艺术形态转移之时,他得心应手而妙韵横生,他挥洒自如而意蕴无穷,心胸、情感倾注于笔端,既不拘一格、不拘一品,又灵心湛发、衷怀倾吐,色彩与笔触的交融,既有传统意蕴,也有现代手法,既有色墨淋漓,也有肌理闪现,画面既保持着色彩的画外之意,又呈现出色彩的意外之妙,得乎寰中,却又超于象外,荒荒油云而寥寥长空。
张跃华的梦幻色彩从传统之中走来,又从传统的规范之中走出,带有革新意识,带有创新精神。张跃华以现代人的眼光和心灵去感受自然、感受色彩的变幻,从色彩之中直接捕捉新鲜的、强烈的“览物所得”,又以所养所崇而升华境界,犹如神助般地创造了异彩纷呈,又洋溢着内美真趣的动人意境。
淡泊才能明志,宁静才能致远,独上高楼之后,才在蓦然回首之际,看到灯火阑珊。近些年,张跃华既不愿意参加展览,也不愿意抛头露面,他独居一隅,躲进小楼,摈弃金钱物质的诱惑,远离名利世俗的浮躁,只为那一抹色彩的天地,让他陶醉,让他上下求索,欲罢不能。
张跃华秉承坚忍不拔之志,恪守着主流正脉之道,深入古法,潜心学术,不断提高对色彩的驾驭能力,不断拓展艺术的创作思维,让情感流淌与笔端去构筑别具洞天的色彩美学,去呈现一幅又一幅精品力作。
(文/桑干)
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